The problem is that playing Demolition Man is just like playing any one of 15 other games. The action is hectic, with masses of enemies coming from all sides, and some of the boss levels are cleverly pieced together. The animation is smooth, the backgrounds look good, and the sound is pretty intense. There are the usual side-to-side jumping and shooting levels, then there's the overhead levels where you wander through buildings with no roofs and shoot. It's not that Demolition Man is such a bad game, I mean, it plays just as good as most of the other action games. Now Acclaim has bought the license and made sure that every movie ever made is gonna be a game. Virgin had thoughts of releasing this game over a year ago, but weren't able to get it out. Unfortunately, most of these games are just as tiresome and stupid as the movies they're based on. Just look how many games have featured the likenesses of Sylvester Stallone and Arnold Schwarzenegger ( Cliffhanger, True Lies, Terminator, Judge Dredd, Last Action Hero, etc.). Keeping true to his “Dub to Jungle” philosophy, he speeds up proceedings to give the dancefloor a workout in classic junglist fashion.Ī summer anthem in the waiting, this new single from Dub-Stuy celebrates the label’s foundations while keeping things fresh and pushing forward, ever.Putting out plot-weak action movies is a great way to get your own video game, I guess. The singer’s uplifting message pulls from the teachings of the rasta faith, celebrating its uncompromised moral principles and liberating power in the face of oppression from mainstream society.īacking the title track is an energetic drum & bass remix from Athens based producer FLeCK, who first connected with the Dub-Stuy crew at Outlook festival. The SP’s title track combines lilting chords and delayed stabs with a rub a dub-inspired beat and the bass weight of dubstep to provide the perfect backdrop for Ras Demo’s fast spitting lyrical flow. “Rastaman Chat” is a bass-heavy skanker featuring London based Ras Demo aka Demolition Man and backed by a large drum & bass remix from Greek producer FLeCK. Dub-Stuy lines up its second release from New York’s Blind Prophet just in time for summer.
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